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Showing posts with label jewellery. Show all posts
Showing posts with label jewellery. Show all posts

Friday, October 15, 2010

Jones Moans

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Despite the title, I don't think you'd be hearing moans but rather yelps of delight if I got my hands on one on Dominic Jones' super-spiky, super-shiny rings. Inspired by Art Deco shapes, yet still retaining the 'incredibly rich punk' image (Alice Dellal is his business partner, after all) the collection is so covetable it should be made illegal.

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I actually did have one moan - I tried on the ring above at the NEWGEN area at LFW and said, "Ooh, it's very heavy" only to be told, "Well, that ring is mostly for editorial purposes".  Does that mean that it's not going into production?  Say it ain't so Mr Jones.

Tuesday, October 5, 2010

LFW: I heart Jordan Askill

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Have you ever been blog-scooped?  You know, you sit down to write something, only to discover that one of your favourite blogs has written about it already (and, in fairness, much better)?  That happened to me last week, when I sat down to scrape some London Fashion Week photos out of my camera, only to discover that Style Bubble had done a frankly, epic post on Jordan Askill.

Askill is a Sydney native, exhibited as part of Newgen and specialises in intricately wrought jewellery that is hand-carved but drawn with the aid of computer programmes.  It's this synthesis between past and present, traditional and technology, that has become the main point of focus in his work and, it has to be said, is nothing short of a breath of fresh air in a stuffy room of bling and intimidating knuckledusters.


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The above is from Askill's current collection.  This cherub head pendant is roughly the size of your thumbnail, at most about the length of this line _______ (probably a little bit more if you have a high-res monitor.


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I was lucky enough to meet Askill in the Newgen tent and get some very nice compliments on the rings I was wearing.  Mercifully, I was too nervous to gush all over him (metaphorically, that is), but unfortunately not too nervous to mentally high five myself and impart on him a very long, boring story about the history of the rings and where I got each one and, and, and... I'm boring even myself now.  If you see this Jordan (and your lovely friend too), I am truly sorry.

Here are some slightly blurry close-ups of his S/S '11 collection.  They do no justice to the craftsmanship and time taken to conceive such pieces.  It's rare to see jewellery that displays and obvious concern with both concept and execution.  The term 'high-concept' really gets bandied about too often but in this case it's true - the amount of care that goes into this is beyond the norm.  Once you hold of one these pieces in your hand you know you're holding something precious and rare.  You'll know that no-one is doing anything quite like Askill.

While this season is angelic, Askill has turned back to more primal influences for Spring/Summer with studies of tigers, bears and horses.  These are all derivations and meditations on a sculpture Askill did of 65 horses galloping in unison, which you can see in full on his website.  The sculpture is also fully incorporated into a series of harnesses (click on the Style Bubble post to see; I haven't seen then anywhere else online).  The details is Amazing with a capital A, I can't express it enough, and I come away from this post a tad uneasy as I feel like a haven't done his work justice.  For once I can't find the words.  Usually it's too many words, which is also a problem.

You should probably go to his website and step into a new world (and do a bit of healthy coveting).

You could look at his JORDY diffusion line, which is a line of more accessible, but equally adorable rings and bangles.  Dibs on the hidden sapphire heart ring.

Mostly though, he just seems like a lovely person with an intelligent, artistic mind and a passion for innovation and craftsmanship.  If that doesn't deserve to be supported, I don't know what does.

Tuesday, July 6, 2010

Nan's Legacy Pt II

This isn't strictly jewellery, but...

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I love these badges. I've chosen to keep these ones for myself. My gran was a past president of the Soroptimists, which is a worldwide volunteer association of businesswoman. They also organise competitions. It seems a little antiquated now, but schools still take part in their speechwriting and public speaking competitions.

One year I somehow managed to win the county final of the public speaking competition and progressed onto the regional final, which I didn't place in. I would have liked to have won, but wasn't too bothered (I was told later by a judge that they 'weren't looking for funny'). If I was, then the following anecdote would have made me very mad indeed.

We're driving back from the regional. I'm in the front with my father. My gran is in the back. My Dad pats me on the shoulder and sympathises.

"Well, it looks like you won't be going to the final this year".

A voice pipes up from the back.

"I will! I was invited."

Right. Thanks Nan. Thanks a bunch.

Monday, July 5, 2010

Nan's Legacy Pt I

A few months ago, my nan passed away.  She was old and pretty sick, but we weren't really expecting it to happen.  We certainly didn't expect what kind of impact it would have on my family. 

Together, my aunts and my cousin sifted through her things and came up with a box of her trinkets and junk jewellery that she had collected from all over the world over the past fifty years or so.  I say 'junk' but it's not the kind of typical 'Nan' jewellery, the kind of necklaces that are made of plastic beads, globbed together, paint peeling off the spheres, twine turning brown and brittle as paper or, if your family is Catholic like mine, a tangled rats nest of rosary beads from different pilgrimage points around the country. 

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Until today, it was left in a box that I keep beside my bed near a stack of books, a packet of Nurofen and a shotglass that I bought in Egypt that is now full of buttons.  It comes down to me to pass some of these on to my sisters and keep some for myself.

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Left - rhinestone necklace c late 50's/early 60's.  Right - Christian Dior costume pendant c 1970's


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Left - Necklace and bracelet set (half the opals have fallen out of their mounts, but it looks nice that way).  Right - One of a set of enamelled clip-on earrings
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Right - Amber bug brooch, Left - Andre Piaso watch with interchangeable faces